The Global Green Growth Institute (GGGI) and Laos’ Ministry of Natural Resources and Environment officially concluded the ASEAN Municipal Solid Waste Management Enhancement (AMUSE) Project on April 25 after two years of work. The project introduced innovative solutions to tackle waste challenges across the city.
The initiative set up 75 recycling banks in hotels, restaurants, and guesthouses across Vang Vieng, helping businesses separate waste at the source.
This has created a stronger recycling system where 108 tons of materials are now recovered and safely recycled every month. A total of 286 hospitality service providers were trained, and almost half a million residents and tourists have benefited from the cleaner environment.
Highlighting the system’s success, Viraphon Neuansengsy from the Department of Environment said, “The AMUSE project has improved the system through establishing a city-wide recycling bank system and increased participation from the private sector and the tourism industry.”
In addition to setting up physical recycling points, the project focused on shaping the future of waste management in Vang Vieng. It introduced new ways to handle organic waste and developed a city-wide plan based on circular economy principles — treating waste as a resource rather than a problem.
The improvements have made a real difference for local businesses too, according to Ken Insane from Patthana Recycling Shop.
He shared, “The biggest change is cleaner recyclable materials and an increase in the volume that we can recover. Before, everything was mixed in the landfill truck. Now, with source separation, our job is easier and more profitable. We receive and process four times more materials than we used to receive in 2022 before the project started.”
Beyond environmental impacts, AMUSE also delivered important social benefits. The project trained public and private sector workers on sustainable solid waste management, with a focus on supporting informal waste workers and women by offering safety training and creating new income opportunities.
Looking ahead, local officials are determined to keep the momentum going. Vice Mayor Souviengthong Vongchampa emphasized, “This project has not only improved our environment but also raised awareness among our community and visitors. We will continue building on these successes to make Vang Vieng a model for sustainable tourism and waste management across Lao PDR.”
Echoing this optimism, Eva Diaz Ugena from GGGI concluded, “Through close collaboration with our government and regional partners, we’ve achieved 100 percent completion of planned activities, including recycling banks and local capacity building. Vang Vieng now stands as a strong example of how circular economy models can be locally led and regionally relevant.”
https://www.tourismlaos.org/wp-content/uploads/2025/04/Vang-Vieng-Goes-Green-with-New-Waste-System.jpg6271200Sylivanla Vongphachanhhttps://www.tourismlaos.org/wp-content/uploads/2025/05/Lao-Simply-Beautiful-.webpSylivanla Vongphachanh2025-05-07 09:46:002025-04-29 09:58:15Vang Vieng Goes Green with New Waste System
“A book isn’t something you force yourself to read, but something you do because you love it,” noted Robert George Cooper, a British-born anthropologist and well-known author of several books on Laos.
As the world celebrates World Book and Copyright Day today, 23 April, attention turns to figures like Cooper, individuals who have devoted their lives to literature and cultural exchange.
Cooper first arrived in Laos in 1973 during his PhD studies, later working with the United Nations on refugee repatriation and serving as head of the British Trade Office in Vientiane from 2000 to 2004.
A linguist speaking English, French, Lao, Malay/Indonesian, and Thai, Cooper established his iconic bookshop in downtown Vientiane in 2007, which continues to thrive despite the digital age.
One of his most popular works is “CultureShock! Laos: A Survival Guide to Customs and Etiquette.” This book guide offers practical insights into Lao culture, traditions, and social norms, making it valuable for travelers or anyone interested in understanding the nuances of life in Laos.
CultureShock! Laos: A Survival Guide to Customs and Etiquette.
His newest release, “Laos: Making History in Search of Time Gone By,” was published in early 2025. The book traces Lao history from the Lan Xang era through French colonialism, the Indochina War, and into the complexities of modern-day Laos.
Robert Cooper’s Laos: Making History, a powerful reflection on the nation’s past from Lan Xang to modern Laos.
Now retired in Vientiane, Cooper expresses concern about reading habits among Lao youth. He notes that few young people embrace reading as a pathway to education and, by extension, the country’s economic development.
“In Laos, few people are able to read in English,” he notes. “Translating into the Lao language is a long process and often not worth doing because Lao people have very little to read in their own language; they even prefer to read Thai books.”
Despite this, Laos has made growing efforts to promote Lao-language literature. Events like the annual Vientiane Book Festival, held each November, aim to ignite a love of reading, especially among children and students.
While many young readers gravitate toward Thai books for their variety and professional quality—bolstered by Thailand’s larger publishing industry—others are turning their attention toward supporting local authors. Still, the road ahead remains challenging.
With only 15 to 20 publishing houses operating across the country, the Lao publishing industry is relatively small.
In a previous interview with the Laotian Times, writer and publisher Phoumpanya Douangpaseuth emphasized the need for stronger local support.
He urged readers to back Lao creators to help build a more self-sustaining literary culture.
Meanwhile, Laos continues to nurture its literary scene with the hope that more readers will turn to local authors and support homegrown stories.
https://www.tourismlaos.org/wp-content/uploads/2025/04/Book-Cafe.jpg6271200Sylivanla Vongphachanhhttps://www.tourismlaos.org/wp-content/uploads/2025/05/Lao-Simply-Beautiful-.webpSylivanla Vongphachanh2025-05-06 11:19:002025-04-28 11:22:00World Book, Publishing Day 2025: Laos Backs Local Authors, History
Over 1,170 Lao health professionals have been trained through a long-running initiative led by Princess Maha Chakri Sirindhorn of Thailand. Now nurturing a new generation of trainees, the project continues to play a vital role in strengthening Laos’ healthcare system.
Launched in 2000, the program has built the capacity of doctors, nurses, dentists, pharmacists, physical therapists, nutritionists, public health workers, and administrators across the country. Its graduates now serve in hospitals, health departments, and training institutions in every province of Laos.
The initiative was inspired by Princess Sirindhorn’s visits to Laos beginning in 1990, during which she observed the country’s healthcare challenges firsthand. Recognizing the need for skilled human resources, she spearheaded the program to equip Lao professionals with the knowledge and tools required to deliver quality care and meet public health demands.
To mark 25 years of Thai-Lao collaboration, an academic conference was held in Vientiane on 22 April under the theme “Promoting Healthier Futures: 25 Years of Thai-Lao Collaboration in Medical and Public Health Capacity Building.”
Princess Sirindhorn presided over the opening ceremony. She emphasized the importance of scientific exchange and modern expertise in developing strong health systems. She highlighted that a healthy population is essential to national development, and medical personnel must be equipped with up-to-date knowledge and skills.
https://www.tourismlaos.org/wp-content/uploads/2025/04/Princess-Maha-Chakri-Sirindhorn-of-Thailand.jpg6271200Sylivanla Vongphachanhhttps://www.tourismlaos.org/wp-content/uploads/2025/05/Lao-Simply-Beautiful-.webpSylivanla Vongphachanh2025-05-05 11:13:002025-04-28 11:16:28Lao-Thai Health Project Trains More Than 1,170 Professionals Under Princess Sirindhorn’s Initiative
Luang Prabang experienced a tourism boom in the first quarter of the year, generating USD 584,665,369 million in revenue, marking a 162 percent increase in tourist numbers compared to the same period last year.
Between January and March, the province welcomed 1,167,581 visitors, including 459,091 domestic travelers and 708,490 international tourists.
This represents a significant increase of 722,679 visitors year-over-year, according to Soudaphone Khomthavong, Director of the Luang Prabang Provincial Information, Culture and Tourism Department.
In 2024, Luang Prabang saw a total of over 2.3 million tourists, far exceeding its original target of 900,000. This influx played a key role in driving the province’s GDP to LAK 3,989 billion (approximately USD 183 million), with an average income of USD 1,897 per person.
The province continues to focus on development in key areas such as education, infrastructure, and tourism.
As part of its ongoing efforts to strengthen the province, a meeting was held on 21 April at the Luang Prabang Military Command to address the shortage of teachers and improve educational outcomes.
The session focused on identifying key challenges in human resource development and exploring practical solutions to support workforce growth across multiple sectors.
In February, Luang Prabang was officially declared a “poverty-free” and “comprehensively strong” city, reflecting significant strides in regional development.
https://www.tourismlaos.org/wp-content/uploads/2025/04/IMG_0010.jpg6271200Sylivanla Vongphachanhhttps://www.tourismlaos.org/wp-content/uploads/2025/05/Lao-Simply-Beautiful-.webpSylivanla Vongphachanh2025-05-02 11:09:002025-04-28 11:13:10Luang Prabang Surges Past Tourism Goals with Over 1.1 Million Visitors, Fueling Economic Growth
Xieng Thong Temple in Luang Prabang has officially opened the Ho Phra Man shrine, inviting locals and tourists to pay their respects to the sacred Phra Man Buddha statue as part of the annual Lao New Year (Pi Mai) tradition.
The Phra Man Buddha, considered the second most revered Buddha image in Luang Prabang after the famed Prabang statue, is normally housed in a shrine at the rear of Wat Xieng Thong and is visible only from a distance. However, in line with tradition, the statue is brought out for public viewing and merit-making ceremonies during the New Year celebrations.
This year, the temple is allowing visitors to perform the traditional water-pouring ritual over the sacred image from 22 to 26 April, between 8.00 am and 5.00 pm each day. The ritual follows the return of the Prabang Buddha to Ho Prabang, in accordance with beliefs that it is inauspicious for both powerful images to be publicly displayed at the same time.
As part of the ceremony, the Phra Man Buddha is carefully carried out from its chapel and paraded three times around Wat Xieng Thong. It is then placed in a pavilion in front of the temple, where devotees pour scented water over the statue – a symbolic act of merit-making and spiritual purification.
The Origins of the Phra Man Buddha: A Sacred Mystery
The true origins of the Phra Man Buddha remain a subject of legend and speculation, with two distinct stories still told today, both steeped in mystery and reverence.
One version of the story says the Phra Man Buddha arrived in Luang Prabang in 1968, brought by a group from the Lao Theung hill tribe. The statue is in a standing position, which holds special meaning in Luang Prabang. People believe that standing Buddha statues have the power to call for rain and help those who pray for children.
In 1979, Luang Prabang experienced a severe drought. Remembering this belief, village chiefs from Khili, Xieng Thong, Phon Heuang, and Ban Kang consulted with the head monk of Wat Xieng Thong at the time. Together with the head of Wat Sensoukharam, the monks decided to bring the Phra Man Buddha out for a merit-making ceremony.
Soon after the rituals were performed, rain began to fall, according to the story. This marked the first time the Phra Man Buddha was honoured with a water-pouring ceremony, a tradition that has continued every year since.
Another story tells that the Phra Man Buddha dates back approximately 700 years. According to legend, it was crafted in Burma (modern-day Myanmar) and was originally intended to be returned to the Hanthawaddy Kingdom after its completion.
The statue was placed on a raft and transported along the Mekong River. However, as it reached the waters near Luang Prabang, the raft mysteriously stopped in the middle of the river and could not be moved forward, no matter what the soldiers tried.
The person escorting the statue then prayed: “If the Buddha does not wish to return to the Hanthawaddy Kingdom, please choose a temple to remain in Luang Prabang.”
At that time, the city was home to over 100 temples (compared to around 60 today). Head monks from various temples came forward to invite the Buddha image ashore, but all attempts failed.
Then, the head monk of Wat Xieng Thong approached with a prayer of his own. To everyone’s amazement, the raft, carrying the statue, floated to Xieng Thong temple on its own.
The Buddha image was then brought to Wat Xieng Thong and locals under the guidance of a Buddhist monk constructed what is now known as the Phra Man House.
The Phra Man Buddha is made of gold and adorned with nine-colored jade. It is decorated with intricate ornaments, including a jeweled belt buckle and bracelets. The statue weighs 75 kilograms, the altar 20.5 kilograms, for a total weight of 95.5 kilograms.
https://www.tourismlaos.org/wp-content/uploads/2025/04/Phra-Man-Procession-at-Xieng-Thong-Temple.jpg6271200Sylivanla Vongphachanhhttps://www.tourismlaos.org/wp-content/uploads/2025/05/Lao-Simply-Beautiful-.webpSylivanla Vongphachanh2025-04-30 11:04:042025-04-28 11:09:19Phra Man Buddha Now Open for Merit-Making Activities at Wat Xieng Thong in Luang Prabang
From 14 to 16 April, Laos burst into a celebration as the country officially marked Pi Mai Laos—the Lao New Year. From alms-giving ceremonies and traditional processions to water splashing battles, the nation came together to usher in the new year.
Luang Prabang: Heart of Traditional Celebration
While Pi Mai was celebrated across the country, Luang Prabang, the UNESCO World Heritage city, stood out as the cultural highlight of the festivities. Known for preserving age-old customs, the city switched from traditional ceremonies to wild parties within hours, merging the spiritual and festive meanings of the event.
On 14 April, the celebration began with the Lolat Festival, a market fair held on Luang Prabang’s main avenue. From morning until mid-day, the streets buzzed with stalls showcasing agricultural goods, handmade crafts, clothes, woodwork, and products from across Laos.
In the afternoon, crowds made their way to Xaymoungkhoun Island in the Mekong River to take part in the age-old tradition of building sand stupas, believed to bring fortune and spiritual merit.
The next day, 15 April, was highlighted by the Miss Lao New Year procession, one of the city’s most anticipated events. Starting from Wat That Nong and concluding at Wat Xieng Thong, this year’s grand parade featured 35 processions and nearly 2,000 participants.
It began with young women holding banners bearing slogans, followed by flags of Laos and its ASEAN neighbors, and culminated in processions paying tribute to ancestors and the nation’s spiritual lineage.
On 16 April, a more spiritual tone returned as local families and provincial leaders gathered for a morning alms-giving ceremony in front of San Sukharam Temple. People also visited temples to cleanse Buddha statues, symbolically washing away past misfortunes. Families exchanged incense figurines for good luck and used the occasion to reconnect and bond.
Vientiane Turns Up the Volume with Full Blown Parties
While Luang Prabang led with tradition and parties here and there, Vientiane Capital offered a full-fledged entertainment-driven experience. The city pulsed with energy as it hosted several events, some of the major ones include the BeerLao Music Zone, the Heineken X Sabaidee Star Celebration party, and Sihom street casual party.
From 13 to 16 April, the Beerlao Music Zone took place along the Mekong riverbank, focusing on music and drinks. Local DJs kept the energy high as crowds danced, holding plastic cups of beer and water guns.
At the same time, the Heineken X Sabaidee Star Celebration brought a bigger festival vibe to the National Cultural Hall. The event featured international artists like Rave Republic, DJ Soda, DJ Wukong, and more, drawing large crowds each night.
Meanwhile, the Sihom Party on Sihom Road offered a street-fair atmosphere. Locals gathered to splash water, enjoy food and drinks from street booths, and listen to live music from a small stage.
Security and Safety Measures in Place
Amidst the lively atmosphere, authorities remained focused on ensuring public safety and order, with Vientiane Capital alone deploying 1,172 traffic police officers across 143 stations in the country during the Lao New Year celebrations to ensure safe road traffic from 11 to 17 April.
The Mobile Defense Forces, including Platoon I of Battalion 135 under the Ministry of Public Security, maintained a 24-hour patrol throughout Vientiane from 12–17 April. Using various vehicles, they monitored the city for disturbances and ensured peace during the festival.
On 16 April, during an inspection at the Si Keut checkpoint along the Laos-China Expressway, with officers enforcing strict regulations, including speed monitoring, alcohol testing, cargo checks, and mandatory helmet usage for motorcycle drivers and passengers.
Leadership Presence, International Engagement
Before the festivities began, President Thongloun Sisoulith extended warm wishes to all citizens, joining in the celebration with the Lao people.
Meanwhile, Prime Minister Sonexay Siphandone spent his Pi Mai days representing Laos on the international stage, attending the P4G Summit in Hanoi, Vietnam. Though Laos is not yet a P4G member, the Prime Minister participated in high-level discussions and exhibitions, highlighting Laos’s commitment to green growth.
https://www.tourismlaos.org/wp-content/uploads/2025/04/Sang-Khan-Procession-in-Luang-Prabang.jpg6271200Sylivanla Vongphachanhhttps://www.tourismlaos.org/wp-content/uploads/2025/05/Lao-Simply-Beautiful-.webpSylivanla Vongphachanh2025-04-29 09:22:062025-04-22 09:23:32Lao New Year Wrap: Tradition, Festivities, International Engagement
The Laos-China Railway has marked its second anniversary of cross-border operations, having transported 480,000 passengers from 112 countries since the service began.
The railway has significantly improved travel between Laos and China, offering a quicker and more convenient mode of transport, especially for tourists.
Cross-border services were officially launched on 13 April 2023. Since then, the railway has seen strong usage, including 37,500 group travelers journeying between the two countries, according to the Laos-China Railway Company.
Since the beginning of 2025, the railway has reached record-breaking levels of activity. It transported 4 million tons of goods, such as 8,000 tons of imported fruit, and handled 4.1 million passenger trips. This makes it the busiest period for the railway since it began operating.
Connecting key tourist destinations such as Vientiane, Luang Prabang, Xishuangbanna, and Kunming, the railway has boosted accessibility and supported the growth of tourism, hospitality, and related sectors along the route. It also has an important role in deepening cultural ties and enhancing trade and economic collaboration between Laos and China.
To celebrate both the two-year anniversary and the Lao New Year 2025, the railway organized an onboard celebration. Passengers were treated to traditional Lao music, dance, and songs, creating a festive and welcoming atmosphere enjoyed by both local and international travelers.
Laos-China Railway Celebrates Two-Year Anniversary with traditional Lao music, dance, and songs, creating a festive. (The Laos-China Railway)
Regional Transportation Game-Changer
Since its inauguration in 2021, the Lao-China Railway has transformed regional connectivity by transporting over 54 million tons of goods and carrying more than 48.6 million passengers.
Construction of the 409-kilometer railway began in 2016 and was completed in two stages. The first phase linked Luang Namtha to Vientiane Capital, while the second stage extended the line by 17 kilometers from Vientiane Capital to Thanaleng.
The railway features 33 stations—12 for passengers and 20 for cargo—with five major stations designated as stops for express services. It includes 198 kilometers of tunnels and 62 kilometers of bridges, with trains operating at speeds of up to 160 kilometers per hour.
Regional travel between Laos and China has surged, particularly after the introduction of international passenger services in 2023.
On 13 April 2024, a passenger train began running from Vientiane to Kunming, the capital of China’s Yunnan province. Since then, 172,023 passengers have used the service, according to Lao Deputy Minister of Tourism Darany Phommavongsa, who spoke to a group of ASEAN journalists visiting the railway in June.
The railway has also boosted regional trade. The Lancang-Mekong Express freight service now runs across 31 regions in China and 19 other countries, including Laos, Vietnam, Thailand, and Singapore, with 1,777 trains in operation. During the Spring Festival travel season alone, more than 40,000 passengers passed through the Mohan Railway Port in Yunnan.
One of the railway’s major milestones came in October 2024, when it completed its first international cold-chain shipment: 390 tons of Lao bananas arrived in Beijing. Also, Lao coffee beans reached Europe in just 15 days.
To meet growing demand, the railway plans to add a fifth EMU (electric multiple unit) train in the near future.
https://www.tourismlaos.org/wp-content/uploads/2025/04/Vientiane-Railway-Station.jpg6271200Sylivanla Vongphachanhhttps://www.tourismlaos.org/wp-content/uploads/2025/05/Lao-Simply-Beautiful-.webpSylivanla Vongphachanh2025-04-28 09:19:562025-04-22 09:21:47Laos-China Railway Celebrates Two-Year Anniversary of Cross-Border Service with 480,000 Passengers
Luang Prabang awoke to the sounds of drums, chanting monks, and crowds of locals and visitors dressed in their finest traditional Lao clothing.
It’s 17 April, and one of the most revered moments of Pi Mai—the Lao New Year—is taking place: the sacred procession of the Prabang, the Buddha image for which Luang Prabang is named.
Monks and city leaders carried the statue from its shrine in the Ho Prabang, located within the former Royal Palace grounds, to Wat Mai Temple, where it will remain for three days.
During this time, people from across the country will come to pour water over the statue, a ritual known as song nam phra, to show respect and ask for blessings for the year ahead.
The Prabang, cast from a sacred mix of bronze, silver, and gold, stands 83 centimeters tall and weighs 43 kilograms. The Buddha is shown in the Abhayamudra, or “Dispelling Fear,” posture—hands raised, palms forward, offering peace and protection.
Though legend traces the statue’s origin to Sri Lanka, scholars believe it was made in the Khmer Empire.
Chronicles tell of its arrival in the Lao kingdom of Lan Xang in the 1350s, carried from Angkor in a grand procession led by the Khmer princess Keo Keng Nya, who had married King Fa Ngum.
The statue’s journey wasn’t smooth. Though it was meant for Xieng Thong (now Luang Prabang), it remained for a time in Vientiane, believed to be too heavy to carry further.
It was finally brought north in 1502 by King Visoun and placed first in Vat Manorom, then in Vat Visoun, built especially for it.
Over the centuries, the Prabang was moved, captured, and returned—including two periods of exile in Bangkok—before it was finally reinstalled in Laos in 1867.
It has been housed in the Ho Prabang shrine since 2013, but is brought out only once a year, for Pi Mai.
Local men preceding the Prabang statue in the annual sacred procession from the Ho Prabang shrine to Wat Mai in Luang Prabang on 17 April. (Photo: Oulayvanh Sisounonth)
Why 2025 Is Also 2568 and 1387
While much of the world celebrates the new year on 1 January, Lao New Year follows a different system—one that’s based on more than one calendar.
Pi Mai usually takes place from 14-16 April, but its meaning runs deeper than just those three days. It marks a spiritual transition from the old year to the new, observed with cleansing rituals, ceremonies, and celebrations across the country.
This year, the internationally used Gregorian calendar calls it 2025. But Laos observes two distinct calendars: the Chula Sakkharat and the Buddhist Era (B.E.) calendar, each marking the New Year on different dates and based on different astronomical principles.
The Chula Sakkharat calendar begins from the year 638 CE. This is a solar calendar that determines the New Year when the Sun enters Aries, typically around 16 April. This date marks the beginning of the solar year and is based on the Earth’s orbit around the Sun.
Historically, this calendar was also used in Thailand until it was replaced by the Buddhist Era calendar in 1889. By that count, this year is 1387.
In contrast, the Buddhist Era calendar is a lunisolar system that incorporates both lunar cycles and the solar year. The New Year in this calendar falls on the full moon day in May, aligning with the Visakha month. This date commemorates significant events in the life of the Buddha, including his birth, enlightenment, and death.
The Buddhist calendar conventionally begins in 543 BC, which is believed to be the year the Buddha passed away. According to this system, 2025 is the year 2568.
Depending on which calendar is being used, the Lao New Year in 2025 can be called either the year 1387 (Chula Sakkharat) or 2568 (Buddhist calendar).
https://www.tourismlaos.org/wp-content/uploads/2025/04/IMG_0300-2048x1365-1.jpeg13652048Sylivanla Vongphachanhhttps://www.tourismlaos.org/wp-content/uploads/2025/05/Lao-Simply-Beautiful-.webpSylivanla Vongphachanh2025-04-27 09:16:542025-04-22 09:19:27Three Calendars, One Celebration: Luang Prabang Enters New Year with Sacred Prabang Buddha Procession
When “Sa Tu”, or “Sathu,” is not only heard in the temple but echoed through pop rap music, it takes on new meaning.
For Hope ‘Hopii’ Thammavongsa, a 25-year-old Lao-American artist from Lawrenceville, Georgia, that word became an anthem of cultural pride.
Hope’s song has recently gained widespread popularity, particularly within the Lao-American community. The track has been welcomed for its fusion of Lao cultural elements with modern pop rap, resonating with listeners seeking representation and cultural pride in mainstream music.
Laos is a predominantly Buddhist country where the word Sa Tu (ສາທຸ) means “good” on a deep spiritual level. It’s traditionally used during blessings, often repeated three times to show respect for a person who can discipline body, speech, and mind.
“It’s like, I got to represent my Lao people from there and from here,” said Hope. “Because in America, in Georgia, where I grew up, they were always like, are you Korean? Are you Chinese? Everything but Lao.”
That feeling of being unseen pushed Hope to write a song where she could proudly represent her heritage. In the song’s bridge, she breaks it down:
“We gon say one thing, it’s got two syllables, it’s quite very simple. It’s like amen but just a tad Laotian, so say it loud, say it proud, say it with me: Sa Tu, Sa Tu, Sa Tu.”
The idea for the song came after Hope attended Sabaidee Fest in Los Angeles last year—a festival celebrating Southeast Asian culture, music, and identity.
“They’re my inspiration because if they’re in Laos doing music and I’m in Georgia, I can do music too, we can all do music,” she said.
That realization motivated her to finish the song, not knowing it would become a defining moment in her music career.
Because Sa Tu is considered a sacred word, traditionally used in temples or during blessings, Hope felt some hesitation about using it in a rap song. Still, she followed her instincts.
“There will be people out there that might not like it, but I really like it. And I’m really proud of what I did with the song and with the lyrics, trying to kind of explain to people who aren’t Laotian what Sa Tu is. Like it’s special,” she said.
Hope also hopes her music spreads joy and brings people of different backgrounds together.
“With my music, I want to show that an Asian person can be anywhere and everywhere just like anybody else. So I think that’s my purpose,” she stated.
The Journey
Hope’s love for music began at 15, singing with her uncle’s band. She started songwriting at 19 with her first song, Worthy, and by 23, she had released her debut album featuring four original tracks—marking her entry into the music world.
Navigating between two cultures—American and Lao—has deeply influenced her identity. While it can be difficult, Hope sees it as a strength.
“Being a Lao American, you really are living a double life. You have to balance American culture and then also being Laotian and trying to balance it. Sometimes I feel like I’m not Lao enough,” she said. “Sometimes I feel like I’m not American enough, but I’m grateful for both sides.”
The Process
Hope made a bold and creative choice by sampling the sound of a Lao parade at the start of her song. She opens it with the phrase “Heui Ya,” a term often heard in traditional Lao music, blending it seamlessly into a pop rap beat.
She spent a couple of hours writing the lyrics, but it took two months to find the perfect melody to bring the track to life.
The music video is currently in production and will be filmed in four locations, each with its own atmosphere. The first shoot takes place at Wat Lao Buddha Khanti in Snellville—the temple where Hope grew up. For this scene, she’ll be wearing a traditional Lao outfit.
Two more scenes will be filmed in different local parks, and the final scene will be at her grandmother’s house. Hope shared how much her family’s support has meant to her.
Though Hope lives far from her parents’ homeland, Lao traditions remain central to her life. Every year, she and her family celebrate Lao New Year together.
“I honestly wouldn’t be here if they didn’t come from Laos to America,” Hope said.
In Georgia, the Lao community celebrates with water fights, good food, shopping, and family time.
The next morning, Hope and her family take part in Tak Baat—giving alms to monks as part of the traditional celebration.
Every April, when the weather hits its peak and the heat sets in, the streets of Laos fill with people, celebration, and plenty of water. It’s Pi Mai Lao — the Lao New Year — a three-day celebration marked by deep-rooted spirituality, joyful chaos, and a reverence for the past, present, and future.
Also known as Boun Pi Mai, the festival is the most anticipated event of the year. From April 14 to 16, families reunite, towns transform into playgrounds, and ancient legends take center stage in colorful parades.
But beyond the water fights and festivities lies a rich story, one that ties together myth, religion, and community.
Day One: Letting Go of the Old
The first day of Pi Mai marks the end of the old year. Across the country, homes are swept clean, food is prepared, and offerings are brought to temples in a quiet but meaningful ritual of readiness.
At Buddhist temples, monks carry sacred Buddha images from the sim (the main hall) and place them in decorative shrines. Here, locals gather for the Song Pha ceremony, gently pouring scented water mixed with flowers over the statues. It is a gesture of respect and a prayer for blessings.
The water used in this ritual is considered holy. Many bring it home to sprinkle on their families and around the house, a symbolic act meant to wash away bad luck and cleanse the spirit for the year ahead.
Sprinkling holy water on Buddha statues.
Day Two: The Day of No Day
The second day, 15 April is known as Wan Nao, or “the day of no year.” It doesn’t belong to either the past or the future, a transitional space between old and new.
Traditionally, this is a time for continued cleaning, reflection, and respect. Elders encourage younger generations to avoid napping, as it’s believed laziness on this day could bring misfortune in the coming year. Instead, the young are urged to stay active, pay visits to village elders, and perform blessings by pouring water over their hands while offering good wishes.
Then, the fun begins. Streets become stages for spontaneous water fights. With buckets, hoses, and water guns, people of all ages join in a citywide soaking, not just for fun, but to symbolically cleanse the past and welcome the new.
Day Three: Welcoming the New Year
The third and final day is the official beginning of the new year. It’s a day filled with symbolism and celebration, as towns and cities across Laos host the much-anticipated Nang Sang Khan parade.
Chosen for her grace and poise, Miss Lao New Year rides through the city on a symbolic animal, representing good fortune and the spirit of the holiday. Her presence reflects an ancient story passed down through generations, one that still guides the essence of Pi Mai.
At home, many families gather for a Baci ceremony — a spiritual ritual to call good spirits back into the body and secure good luck for the months ahead. Elders are offered kind words, small gifts, and apologies for any misdeeds from the previous year. The mood is hopeful, sincere, and heartwarming.
By evening, the sacred Buddha statues are returned to the temple, signaling the close of the holiday and the return to daily life.
The Legend Behind the Celebration
Pi Mai Lao is steeped in a myth that helps explain many of the holiday’s most iconic customs. The story begins with King Kabinlaphom, a powerful figure who lost a challenge and was beheaded. His head, said to possess destructive power, could never touch the ground, sky, or sea.
To prevent catastrophe, his seven daughters placed it on Mount Sumeru, a sacred mountain in Buddhist cosmology. Every year since, one daughter takes her turn to care for the head during Lao New Year. This symbolic act brings blessings, happiness, and good weather for the year ahead.
In modern celebrations, this legend is reenacted through the Nang Sang Khan parade. The daughter who leads the parade is determined by the day of the week on which the new year begins.
Each of the king’s daughters is uniquely represented:
Wednesday: Montha Thevi, in emerald green, rides a donkey.
Thursday: Khilini Thevi, in greenish-yellow, rides an elephant.
Friday: Khimita Thevi, in white, rides a buffalo.
Saturday: Mahothone Thevi, in black, rides a peacock.
Sunday: Thoungsa Thevi, in red, rides a Garuda.
Each carries symbolic objects and has distinct traits, adding color and meaning to the grand parade.
While tourists may be drawn to the spectacle of water fights and parades, for Lao people, Pi Mai is much more. It’s a spiritual renewal, a chance to reconnect with family and community, and a heartfelt wish for peace, health, and happiness in the year ahead.
https://www.tourismlaos.org/wp-content/uploads/2025/04/WhatsApp-Image-2025-04-14-at-09.09.58_00e9753e.jpg6271200Sylivanla Vongphachanhhttps://www.tourismlaos.org/wp-content/uploads/2025/05/Lao-Simply-Beautiful-.webpSylivanla Vongphachanh2025-04-25 09:08:222025-04-22 09:10:03Splashing into the New Year: A Brief Story Behind Pi Mai Lao
Vang Vieng Goes Green with New Waste System
The Global Green Growth Institute (GGGI) and Laos’ Ministry of Natural Resources and Environment officially concluded the ASEAN Municipal Solid Waste Management Enhancement (AMUSE) Project on April 25 after two years of work. The project introduced innovative solutions to tackle waste challenges across the city.
The initiative set up 75 recycling banks in hotels, restaurants, and guesthouses across Vang Vieng, helping businesses separate waste at the source.
This has created a stronger recycling system where 108 tons of materials are now recovered and safely recycled every month. A total of 286 hospitality service providers were trained, and almost half a million residents and tourists have benefited from the cleaner environment.
Highlighting the system’s success, Viraphon Neuansengsy from the Department of Environment said, “The AMUSE project has improved the system through establishing a city-wide recycling bank system and increased participation from the private sector and the tourism industry.”
In addition to setting up physical recycling points, the project focused on shaping the future of waste management in Vang Vieng. It introduced new ways to handle organic waste and developed a city-wide plan based on circular economy principles — treating waste as a resource rather than a problem.
The improvements have made a real difference for local businesses too, according to Ken Insane from Patthana Recycling Shop.
He shared, “The biggest change is cleaner recyclable materials and an increase in the volume that we can recover. Before, everything was mixed in the landfill truck. Now, with source separation, our job is easier and more profitable. We receive and process four times more materials than we used to receive in 2022 before the project started.”
Beyond environmental impacts, AMUSE also delivered important social benefits. The project trained public and private sector workers on sustainable solid waste management, with a focus on supporting informal waste workers and women by offering safety training and creating new income opportunities.
Looking ahead, local officials are determined to keep the momentum going. Vice Mayor Souviengthong Vongchampa emphasized, “This project has not only improved our environment but also raised awareness among our community and visitors. We will continue building on these successes to make Vang Vieng a model for sustainable tourism and waste management across Lao PDR.”
Echoing this optimism, Eva Diaz Ugena from GGGI concluded, “Through close collaboration with our government and regional partners, we’ve achieved 100 percent completion of planned activities, including recycling banks and local capacity building. Vang Vieng now stands as a strong example of how circular economy models can be locally led and regionally relevant.”
Source: https://laotiantimes.com/2025/04/28/vang-vieng-goes-green-with-new-waste-system/
World Book, Publishing Day 2025: Laos Backs Local Authors, History
“A book isn’t something you force yourself to read, but something you do because you love it,” noted Robert George Cooper, a British-born anthropologist and well-known author of several books on Laos.
As the world celebrates World Book and Copyright Day today, 23 April, attention turns to figures like Cooper, individuals who have devoted their lives to literature and cultural exchange.
Cooper first arrived in Laos in 1973 during his PhD studies, later working with the United Nations on refugee repatriation and serving as head of the British Trade Office in Vientiane from 2000 to 2004.
A linguist speaking English, French, Lao, Malay/Indonesian, and Thai, Cooper established his iconic bookshop in downtown Vientiane in 2007, which continues to thrive despite the digital age.
One of his most popular works is “CultureShock! Laos: A Survival Guide to Customs and Etiquette.” This book guide offers practical insights into Lao culture, traditions, and social norms, making it valuable for travelers or anyone interested in understanding the nuances of life in Laos.
His newest release, “Laos: Making History in Search of Time Gone By,” was published in early 2025. The book traces Lao history from the Lan Xang era through French colonialism, the Indochina War, and into the complexities of modern-day Laos.
Now retired in Vientiane, Cooper expresses concern about reading habits among Lao youth. He notes that few young people embrace reading as a pathway to education and, by extension, the country’s economic development.
“In Laos, few people are able to read in English,” he notes. “Translating into the Lao language is a long process and often not worth doing because Lao people have very little to read in their own language; they even prefer to read Thai books.”
Despite this, Laos has made growing efforts to promote Lao-language literature. Events like the annual Vientiane Book Festival, held each November, aim to ignite a love of reading, especially among children and students.
While many young readers gravitate toward Thai books for their variety and professional quality—bolstered by Thailand’s larger publishing industry—others are turning their attention toward supporting local authors. Still, the road ahead remains challenging.
With only 15 to 20 publishing houses operating across the country, the Lao publishing industry is relatively small.
In a previous interview with the Laotian Times, writer and publisher Phoumpanya Douangpaseuth emphasized the need for stronger local support.
He urged readers to back Lao creators to help build a more self-sustaining literary culture.
Meanwhile, Laos continues to nurture its literary scene with the hope that more readers will turn to local authors and support homegrown stories.
Source: https://laotiantimes.com/2025/04/23/world-book-publishing-day-2025-laos-backs-local-authors-history/
Lao-Thai Health Project Trains More Than 1,170 Professionals Under Princess Sirindhorn’s Initiative
Over 1,170 Lao health professionals have been trained through a long-running initiative led by Princess Maha Chakri Sirindhorn of Thailand. Now nurturing a new generation of trainees, the project continues to play a vital role in strengthening Laos’ healthcare system.
Launched in 2000, the program has built the capacity of doctors, nurses, dentists, pharmacists, physical therapists, nutritionists, public health workers, and administrators across the country. Its graduates now serve in hospitals, health departments, and training institutions in every province of Laos.
The initiative was inspired by Princess Sirindhorn’s visits to Laos beginning in 1990, during which she observed the country’s healthcare challenges firsthand. Recognizing the need for skilled human resources, she spearheaded the program to equip Lao professionals with the knowledge and tools required to deliver quality care and meet public health demands.
To mark 25 years of Thai-Lao collaboration, an academic conference was held in Vientiane on 22 April under the theme “Promoting Healthier Futures: 25 Years of Thai-Lao Collaboration in Medical and Public Health Capacity Building.”
Princess Sirindhorn presided over the opening ceremony. She emphasized the importance of scientific exchange and modern expertise in developing strong health systems. She highlighted that a healthy population is essential to national development, and medical personnel must be equipped with up-to-date knowledge and skills.
Source: https://laotiantimes.com/2025/04/23/lao-thai-health-project-trains-more-than-1170-professionals-under-princess-sirindhorns-initiative/
Luang Prabang Surges Past Tourism Goals with Over 1.1 Million Visitors, Fueling Economic Growth
Luang Prabang experienced a tourism boom in the first quarter of the year, generating USD 584,665,369 million in revenue, marking a 162 percent increase in tourist numbers compared to the same period last year.
Between January and March, the province welcomed 1,167,581 visitors, including 459,091 domestic travelers and 708,490 international tourists.
This represents a significant increase of 722,679 visitors year-over-year, according to Soudaphone Khomthavong, Director of the Luang Prabang Provincial Information, Culture and Tourism Department.
In 2024, Luang Prabang saw a total of over 2.3 million tourists, far exceeding its original target of 900,000. This influx played a key role in driving the province’s GDP to LAK 3,989 billion (approximately USD 183 million), with an average income of USD 1,897 per person.
The province continues to focus on development in key areas such as education, infrastructure, and tourism.
As part of its ongoing efforts to strengthen the province, a meeting was held on 21 April at the Luang Prabang Military Command to address the shortage of teachers and improve educational outcomes.
The session focused on identifying key challenges in human resource development and exploring practical solutions to support workforce growth across multiple sectors.
In February, Luang Prabang was officially declared a “poverty-free” and “comprehensively strong” city, reflecting significant strides in regional development.
Source: https://laotiantimes.com/2025/04/23/luang-prabang-surges-past-tourism-goals-with-over-1-1-million-visitors-fueling-economic-growth/
Phra Man Buddha Now Open for Merit-Making Activities at Wat Xieng Thong in Luang Prabang
Xieng Thong Temple in Luang Prabang has officially opened the Ho Phra Man shrine, inviting locals and tourists to pay their respects to the sacred Phra Man Buddha statue as part of the annual Lao New Year (Pi Mai) tradition.
The Phra Man Buddha, considered the second most revered Buddha image in Luang Prabang after the famed Prabang statue, is normally housed in a shrine at the rear of Wat Xieng Thong and is visible only from a distance. However, in line with tradition, the statue is brought out for public viewing and merit-making ceremonies during the New Year celebrations.
This year, the temple is allowing visitors to perform the traditional water-pouring ritual over the sacred image from 22 to 26 April, between 8.00 am and 5.00 pm each day. The ritual follows the return of the Prabang Buddha to Ho Prabang, in accordance with beliefs that it is inauspicious for both powerful images to be publicly displayed at the same time.
As part of the ceremony, the Phra Man Buddha is carefully carried out from its chapel and paraded three times around Wat Xieng Thong. It is then placed in a pavilion in front of the temple, where devotees pour scented water over the statue – a symbolic act of merit-making and spiritual purification.
The Origins of the Phra Man Buddha: A Sacred Mystery
The true origins of the Phra Man Buddha remain a subject of legend and speculation, with two distinct stories still told today, both steeped in mystery and reverence.
One version of the story says the Phra Man Buddha arrived in Luang Prabang in 1968, brought by a group from the Lao Theung hill tribe. The statue is in a standing position, which holds special meaning in Luang Prabang. People believe that standing Buddha statues have the power to call for rain and help those who pray for children.
In 1979, Luang Prabang experienced a severe drought. Remembering this belief, village chiefs from Khili, Xieng Thong, Phon Heuang, and Ban Kang consulted with the head monk of Wat Xieng Thong at the time. Together with the head of Wat Sensoukharam, the monks decided to bring the Phra Man Buddha out for a merit-making ceremony.
Soon after the rituals were performed, rain began to fall, according to the story. This marked the first time the Phra Man Buddha was honoured with a water-pouring ceremony, a tradition that has continued every year since.
Another story tells that the Phra Man Buddha dates back approximately 700 years. According to legend, it was crafted in Burma (modern-day Myanmar) and was originally intended to be returned to the Hanthawaddy Kingdom after its completion.
The statue was placed on a raft and transported along the Mekong River. However, as it reached the waters near Luang Prabang, the raft mysteriously stopped in the middle of the river and could not be moved forward, no matter what the soldiers tried.
The person escorting the statue then prayed: “If the Buddha does not wish to return to the Hanthawaddy Kingdom, please choose a temple to remain in Luang Prabang.”
At that time, the city was home to over 100 temples (compared to around 60 today). Head monks from various temples came forward to invite the Buddha image ashore, but all attempts failed.
Then, the head monk of Wat Xieng Thong approached with a prayer of his own. To everyone’s amazement, the raft, carrying the statue, floated to Xieng Thong temple on its own.
The Buddha image was then brought to Wat Xieng Thong and locals under the guidance of a Buddhist monk constructed what is now known as the Phra Man House.
The Phra Man Buddha is made of gold and adorned with nine-colored jade. It is decorated with intricate ornaments, including a jeweled belt buckle and bracelets. The statue weighs 75 kilograms, the altar 20.5 kilograms, for a total weight of 95.5 kilograms.
Source: https://laotiantimes.com/2025/04/22/phra-man-buddha-now-open-for-merit-making-activities-at-wat-xieng-thong-in-luang-prabang/
Lao New Year Wrap: Tradition, Festivities, International Engagement
From 14 to 16 April, Laos burst into a celebration as the country officially marked Pi Mai Laos—the Lao New Year. From alms-giving ceremonies and traditional processions to water splashing battles, the nation came together to usher in the new year.
Luang Prabang: Heart of Traditional Celebration
While Pi Mai was celebrated across the country, Luang Prabang, the UNESCO World Heritage city, stood out as the cultural highlight of the festivities. Known for preserving age-old customs, the city switched from traditional ceremonies to wild parties within hours, merging the spiritual and festive meanings of the event.
On 14 April, the celebration began with the Lolat Festival, a market fair held on Luang Prabang’s main avenue. From morning until mid-day, the streets buzzed with stalls showcasing agricultural goods, handmade crafts, clothes, woodwork, and products from across Laos.
In the afternoon, crowds made their way to Xaymoungkhoun Island in the Mekong River to take part in the age-old tradition of building sand stupas, believed to bring fortune and spiritual merit.
The next day, 15 April, was highlighted by the Miss Lao New Year procession, one of the city’s most anticipated events. Starting from Wat That Nong and concluding at Wat Xieng Thong, this year’s grand parade featured 35 processions and nearly 2,000 participants.
It began with young women holding banners bearing slogans, followed by flags of Laos and its ASEAN neighbors, and culminated in processions paying tribute to ancestors and the nation’s spiritual lineage.
On 16 April, a more spiritual tone returned as local families and provincial leaders gathered for a morning alms-giving ceremony in front of San Sukharam Temple. People also visited temples to cleanse Buddha statues, symbolically washing away past misfortunes. Families exchanged incense figurines for good luck and used the occasion to reconnect and bond.
Vientiane Turns Up the Volume with Full Blown Parties
While Luang Prabang led with tradition and parties here and there, Vientiane Capital offered a full-fledged entertainment-driven experience. The city pulsed with energy as it hosted several events, some of the major ones include the BeerLao Music Zone, the Heineken X Sabaidee Star Celebration party, and Sihom street casual party.
From 13 to 16 April, the Beerlao Music Zone took place along the Mekong riverbank, focusing on music and drinks. Local DJs kept the energy high as crowds danced, holding plastic cups of beer and water guns.
At the same time, the Heineken X Sabaidee Star Celebration brought a bigger festival vibe to the National Cultural Hall. The event featured international artists like Rave Republic, DJ Soda, DJ Wukong, and more, drawing large crowds each night.
Meanwhile, the Sihom Party on Sihom Road offered a street-fair atmosphere. Locals gathered to splash water, enjoy food and drinks from street booths, and listen to live music from a small stage.
Security and Safety Measures in Place
Amidst the lively atmosphere, authorities remained focused on ensuring public safety and order, with Vientiane Capital alone deploying 1,172 traffic police officers across 143 stations in the country during the Lao New Year celebrations to ensure safe road traffic from 11 to 17 April.
The Mobile Defense Forces, including Platoon I of Battalion 135 under the Ministry of Public Security, maintained a 24-hour patrol throughout Vientiane from 12–17 April. Using various vehicles, they monitored the city for disturbances and ensured peace during the festival.
On 16 April, during an inspection at the Si Keut checkpoint along the Laos-China Expressway, with officers enforcing strict regulations, including speed monitoring, alcohol testing, cargo checks, and mandatory helmet usage for motorcycle drivers and passengers.
Leadership Presence, International Engagement
Before the festivities began, President Thongloun Sisoulith extended warm wishes to all citizens, joining in the celebration with the Lao people.
Meanwhile, Prime Minister Sonexay Siphandone spent his Pi Mai days representing Laos on the international stage, attending the P4G Summit in Hanoi, Vietnam. Though Laos is not yet a P4G member, the Prime Minister participated in high-level discussions and exhibitions, highlighting Laos’s commitment to green growth.
Source: https://laotiantimes.com/2025/04/18/lao-new-year-wrap-tradition-festivities-international-engagement/
Laos-China Railway Celebrates Two-Year Anniversary of Cross-Border Service with 480,000 Passengers
The Laos-China Railway has marked its second anniversary of cross-border operations, having transported 480,000 passengers from 112 countries since the service began.
The railway has significantly improved travel between Laos and China, offering a quicker and more convenient mode of transport, especially for tourists.
Cross-border services were officially launched on 13 April 2023. Since then, the railway has seen strong usage, including 37,500 group travelers journeying between the two countries, according to the Laos-China Railway Company.
Since the beginning of 2025, the railway has reached record-breaking levels of activity. It transported 4 million tons of goods, such as 8,000 tons of imported fruit, and handled 4.1 million passenger trips. This makes it the busiest period for the railway since it began operating.
Connecting key tourist destinations such as Vientiane, Luang Prabang, Xishuangbanna, and Kunming, the railway has boosted accessibility and supported the growth of tourism, hospitality, and related sectors along the route. It also has an important role in deepening cultural ties and enhancing trade and economic collaboration between Laos and China.
To celebrate both the two-year anniversary and the Lao New Year 2025, the railway organized an onboard celebration. Passengers were treated to traditional Lao music, dance, and songs, creating a festive and welcoming atmosphere enjoyed by both local and international travelers.
Regional Transportation Game-Changer
Since its inauguration in 2021, the Lao-China Railway has transformed regional connectivity by transporting over 54 million tons of goods and carrying more than 48.6 million passengers.
Construction of the 409-kilometer railway began in 2016 and was completed in two stages. The first phase linked Luang Namtha to Vientiane Capital, while the second stage extended the line by 17 kilometers from Vientiane Capital to Thanaleng.
The railway features 33 stations—12 for passengers and 20 for cargo—with five major stations designated as stops for express services. It includes 198 kilometers of tunnels and 62 kilometers of bridges, with trains operating at speeds of up to 160 kilometers per hour.
Regional travel between Laos and China has surged, particularly after the introduction of international passenger services in 2023.
On 13 April 2024, a passenger train began running from Vientiane to Kunming, the capital of China’s Yunnan province. Since then, 172,023 passengers have used the service, according to Lao Deputy Minister of Tourism Darany Phommavongsa, who spoke to a group of ASEAN journalists visiting the railway in June.
The railway has also boosted regional trade. The Lancang-Mekong Express freight service now runs across 31 regions in China and 19 other countries, including Laos, Vietnam, Thailand, and Singapore, with 1,777 trains in operation. During the Spring Festival travel season alone, more than 40,000 passengers passed through the Mohan Railway Port in Yunnan.
One of the railway’s major milestones came in October 2024, when it completed its first international cold-chain shipment: 390 tons of Lao bananas arrived in Beijing. Also, Lao coffee beans reached Europe in just 15 days.
To meet growing demand, the railway plans to add a fifth EMU (electric multiple unit) train in the near future.
Source: https://laotiantimes.com/2025/04/18/laos-china-railway-celebrates-two-year-anniversary-of-cross-border-service-with-480000-passengers/
Three Calendars, One Celebration: Luang Prabang Enters New Year with Sacred Prabang Buddha Procession
Luang Prabang awoke to the sounds of drums, chanting monks, and crowds of locals and visitors dressed in their finest traditional Lao clothing.
It’s 17 April, and one of the most revered moments of Pi Mai—the Lao New Year—is taking place: the sacred procession of the Prabang, the Buddha image for which Luang Prabang is named.
Monks and city leaders carried the statue from its shrine in the Ho Prabang, located within the former Royal Palace grounds, to Wat Mai Temple, where it will remain for three days.
During this time, people from across the country will come to pour water over the statue, a ritual known as song nam phra, to show respect and ask for blessings for the year ahead.
The Prabang, cast from a sacred mix of bronze, silver, and gold, stands 83 centimeters tall and weighs 43 kilograms. The Buddha is shown in the Abhayamudra, or “Dispelling Fear,” posture—hands raised, palms forward, offering peace and protection.
Though legend traces the statue’s origin to Sri Lanka, scholars believe it was made in the Khmer Empire.
Chronicles tell of its arrival in the Lao kingdom of Lan Xang in the 1350s, carried from Angkor in a grand procession led by the Khmer princess Keo Keng Nya, who had married King Fa Ngum.
The statue’s journey wasn’t smooth. Though it was meant for Xieng Thong (now Luang Prabang), it remained for a time in Vientiane, believed to be too heavy to carry further.
It was finally brought north in 1502 by King Visoun and placed first in Vat Manorom, then in Vat Visoun, built especially for it.
Over the centuries, the Prabang was moved, captured, and returned—including two periods of exile in Bangkok—before it was finally reinstalled in Laos in 1867.
It has been housed in the Ho Prabang shrine since 2013, but is brought out only once a year, for Pi Mai.
Why 2025 Is Also 2568 and 1387
While much of the world celebrates the new year on 1 January, Lao New Year follows a different system—one that’s based on more than one calendar.
Pi Mai usually takes place from 14-16 April, but its meaning runs deeper than just those three days. It marks a spiritual transition from the old year to the new, observed with cleansing rituals, ceremonies, and celebrations across the country.
This year, the internationally used Gregorian calendar calls it 2025. But Laos observes two distinct calendars: the Chula Sakkharat and the Buddhist Era (B.E.) calendar, each marking the New Year on different dates and based on different astronomical principles.
The Chula Sakkharat calendar begins from the year 638 CE. This is a solar calendar that determines the New Year when the Sun enters Aries, typically around 16 April. This date marks the beginning of the solar year and is based on the Earth’s orbit around the Sun.
Historically, this calendar was also used in Thailand until it was replaced by the Buddhist Era calendar in 1889. By that count, this year is 1387.
In contrast, the Buddhist Era calendar is a lunisolar system that incorporates both lunar cycles and the solar year. The New Year in this calendar falls on the full moon day in May, aligning with the Visakha month. This date commemorates significant events in the life of the Buddha, including his birth, enlightenment, and death.
The Buddhist calendar conventionally begins in 543 BC, which is believed to be the year the Buddha passed away. According to this system, 2025 is the year 2568.
Depending on which calendar is being used, the Lao New Year in 2025 can be called either the year 1387 (Chula Sakkharat) or 2568 (Buddhist calendar).
Happy Pi Mai Lao 2568—or 1387!
Source: https://laotiantimes.com/2025/04/17/three-calendars-one-celebration-luang-prabang-enters-new-year-with-sacred-prabang-buddha-procession/
Lao-American Rapper Hopii Turns Blessings into Bars
When “Sa Tu”, or “Sathu,” is not only heard in the temple but echoed through pop rap music, it takes on new meaning.
For Hope ‘Hopii’ Thammavongsa, a 25-year-old Lao-American artist from Lawrenceville, Georgia, that word became an anthem of cultural pride.
Hope’s song has recently gained widespread popularity, particularly within the Lao-American community. The track has been welcomed for its fusion of Lao cultural elements with modern pop rap, resonating with listeners seeking representation and cultural pride in mainstream music.
Laos is a predominantly Buddhist country where the word Sa Tu (ສາທຸ) means “good” on a deep spiritual level. It’s traditionally used during blessings, often repeated three times to show respect for a person who can discipline body, speech, and mind.
“It’s like, I got to represent my Lao people from there and from here,” said Hope. “Because in America, in Georgia, where I grew up, they were always like, are you Korean? Are you Chinese? Everything but Lao.”
That feeling of being unseen pushed Hope to write a song where she could proudly represent her heritage. In the song’s bridge, she breaks it down:
“We gon say one thing, it’s got two syllables, it’s quite very simple. It’s like amen but just a tad Laotian, so say it loud, say it proud, say it with me: Sa Tu, Sa Tu, Sa Tu.”
The idea for the song came after Hope attended Sabaidee Fest in Los Angeles last year—a festival celebrating Southeast Asian culture, music, and identity.
“They’re my inspiration because if they’re in Laos doing music and I’m in Georgia, I can do music too, we can all do music,” she said.
That realization motivated her to finish the song, not knowing it would become a defining moment in her music career.
Because Sa Tu is considered a sacred word, traditionally used in temples or during blessings, Hope felt some hesitation about using it in a rap song. Still, she followed her instincts.
“There will be people out there that might not like it, but I really like it. And I’m really proud of what I did with the song and with the lyrics, trying to kind of explain to people who aren’t Laotian what Sa Tu is. Like it’s special,” she said.
Hope also hopes her music spreads joy and brings people of different backgrounds together.
“With my music, I want to show that an Asian person can be anywhere and everywhere just like anybody else. So I think that’s my purpose,” she stated.
The Journey
Hope’s love for music began at 15, singing with her uncle’s band. She started songwriting at 19 with her first song, Worthy, and by 23, she had released her debut album featuring four original tracks—marking her entry into the music world.
Navigating between two cultures—American and Lao—has deeply influenced her identity. While it can be difficult, Hope sees it as a strength.
“Being a Lao American, you really are living a double life. You have to balance American culture and then also being Laotian and trying to balance it. Sometimes I feel like I’m not Lao enough,” she said. “Sometimes I feel like I’m not American enough, but I’m grateful for both sides.”
The Process
Hope made a bold and creative choice by sampling the sound of a Lao parade at the start of her song. She opens it with the phrase “Heui Ya,” a term often heard in traditional Lao music, blending it seamlessly into a pop rap beat.
She spent a couple of hours writing the lyrics, but it took two months to find the perfect melody to bring the track to life.
The music video is currently in production and will be filmed in four locations, each with its own atmosphere. The first shoot takes place at Wat Lao Buddha Khanti in Snellville—the temple where Hope grew up. For this scene, she’ll be wearing a traditional Lao outfit.
Two more scenes will be filmed in different local parks, and the final scene will be at her grandmother’s house. Hope shared how much her family’s support has meant to her.
Though Hope lives far from her parents’ homeland, Lao traditions remain central to her life. Every year, she and her family celebrate Lao New Year together.
“I honestly wouldn’t be here if they didn’t come from Laos to America,” Hope said.
In Georgia, the Lao community celebrates with water fights, good food, shopping, and family time.
The next morning, Hope and her family take part in Tak Baat—giving alms to monks as part of the traditional celebration.
Source: https://laotiantimes.com/2025/04/15/lao-american-rapper-hopii-turns-blessings-into-bars/
Splashing into the New Year: A Brief Story Behind Pi Mai Lao
Every April, when the weather hits its peak and the heat sets in, the streets of Laos fill with people, celebration, and plenty of water. It’s Pi Mai Lao — the Lao New Year — a three-day celebration marked by deep-rooted spirituality, joyful chaos, and a reverence for the past, present, and future.
Also known as Boun Pi Mai, the festival is the most anticipated event of the year. From April 14 to 16, families reunite, towns transform into playgrounds, and ancient legends take center stage in colorful parades.
But beyond the water fights and festivities lies a rich story, one that ties together myth, religion, and community.
Day One: Letting Go of the Old
The first day of Pi Mai marks the end of the old year. Across the country, homes are swept clean, food is prepared, and offerings are brought to temples in a quiet but meaningful ritual of readiness.
At Buddhist temples, monks carry sacred Buddha images from the sim (the main hall) and place them in decorative shrines. Here, locals gather for the Song Pha ceremony, gently pouring scented water mixed with flowers over the statues. It is a gesture of respect and a prayer for blessings.
The water used in this ritual is considered holy. Many bring it home to sprinkle on their families and around the house, a symbolic act meant to wash away bad luck and cleanse the spirit for the year ahead.
Day Two: The Day of No Day
The second day, 15 April is known as Wan Nao, or “the day of no year.” It doesn’t belong to either the past or the future, a transitional space between old and new.
Traditionally, this is a time for continued cleaning, reflection, and respect. Elders encourage younger generations to avoid napping, as it’s believed laziness on this day could bring misfortune in the coming year. Instead, the young are urged to stay active, pay visits to village elders, and perform blessings by pouring water over their hands while offering good wishes.
Then, the fun begins. Streets become stages for spontaneous water fights. With buckets, hoses, and water guns, people of all ages join in a citywide soaking, not just for fun, but to symbolically cleanse the past and welcome the new.
Day Three: Welcoming the New Year
The third and final day is the official beginning of the new year. It’s a day filled with symbolism and celebration, as towns and cities across Laos host the much-anticipated Nang Sang Khan parade.
Chosen for her grace and poise, Miss Lao New Year rides through the city on a symbolic animal, representing good fortune and the spirit of the holiday. Her presence reflects an ancient story passed down through generations, one that still guides the essence of Pi Mai.
At home, many families gather for a Baci ceremony — a spiritual ritual to call good spirits back into the body and secure good luck for the months ahead. Elders are offered kind words, small gifts, and apologies for any misdeeds from the previous year. The mood is hopeful, sincere, and heartwarming.
By evening, the sacred Buddha statues are returned to the temple, signaling the close of the holiday and the return to daily life.
The Legend Behind the Celebration
Pi Mai Lao is steeped in a myth that helps explain many of the holiday’s most iconic customs. The story begins with King Kabinlaphom, a powerful figure who lost a challenge and was beheaded. His head, said to possess destructive power, could never touch the ground, sky, or sea.
To prevent catastrophe, his seven daughters placed it on Mount Sumeru, a sacred mountain in Buddhist cosmology. Every year since, one daughter takes her turn to care for the head during Lao New Year. This symbolic act brings blessings, happiness, and good weather for the year ahead.
In modern celebrations, this legend is reenacted through the Nang Sang Khan parade. The daughter who leads the parade is determined by the day of the week on which the new year begins.
Each of the king’s daughters is uniquely represented:
Monday: Kholaka Thevi, in yellow, rides a tiger.
Tuesday: Haksod Thevi, in light red, rides a pig.
Wednesday: Montha Thevi, in emerald green, rides a donkey.
Thursday: Khilini Thevi, in greenish-yellow, rides an elephant.
Friday: Khimita Thevi, in white, rides a buffalo.
Saturday: Mahothone Thevi, in black, rides a peacock.
Sunday: Thoungsa Thevi, in red, rides a Garuda.
Each carries symbolic objects and has distinct traits, adding color and meaning to the grand parade.
While tourists may be drawn to the spectacle of water fights and parades, for Lao people, Pi Mai is much more. It’s a spiritual renewal, a chance to reconnect with family and community, and a heartfelt wish for peace, health, and happiness in the year ahead.
Source: https://laotiantimes.com/2025/04/14/splashing-into-the-new-year-a-brief-story-behind-pi-mai-lao/